Drawing on new archaeological evidence, an authoritative history of Rome’s Great Fire—and how it inflicted lasting harm on the Roman Empire According to legend, the Roman emperor Nero set fire to his majestic imperial capital on the night of July 19, AD 64 and fiddled while the city burned. It’s a story that has been told for more than two millennia—and it’s likely that almost none of it is true. In Rome Is Burning, distinguished Roman historian Anthony Barrett sets the record straight, providing a comprehensive and authoritative account of the Great Fire of Rome, its immediate aftermath, and its damaging longterm consequences for the Roman world. Drawing on remarkable new archaeological discoveries and sifting through all the literary evidence, he tells what is known about what actually happened—and argues that the disaster was a turning point in Roman history, one that ultimately led to the fall of Nero and the end of the dynasty that began with Julius Caesar. Rome Is Burning tells how the fire destroyed much of the city and threw the population into panic. It describes how it also destroyed Nero’s golden image and provoked a financial crisis and currency devaluation that made a permanent impact on the Roman economy. Most importantly, the book surveys, and includes many photographs of, recent archaeological evidence that shows visible traces of the fire’s destruction. Finally, the book describes the fire’s continuing afterlife in literature, opera, ballet, and film. A richly detailed and scrupulously factual narrative of an event that has always been shrouded in myth, Rome Is Burning promises to become the standard account of the Great Fire of Rome for our time.

The Roman Empire has always exercised a considerable fascination. Among its numerous colourful personalities, no emperor, with the possible exception of Nero, has attracted more popular attention than Caligula, who has a reputation, whether deserved or not, as the quintessential mad and dangerous ruler. The first edition of this book established itself as the standard study of Caligula. It remains the only full length and detailed scholarly analysis in English of this emperor's reign, and has been translated into a number of languages. But the study of Classical antiquity is not a static phenomenon, and scholars are engaged in a persistent quest to upgrade our knowledge and thinking about the ancient past. In the thirty years since publication of the original Caligula there have been considerable scholarly advances in what we know about this emperor specifically, and also about the general period in which he functioned, while newly discovered inscriptions and major archaeological projects have necessitated a rethinking of many of our earlier conclusions about early imperial history. This new edition constitutes a major revision and, in places, a major rewriting, of the original text. Maintaining the reader-friendly structure and organisation of its predecessor, it embodies the latest discoveries and the latest thinking, seeking to make more lucid and comprehensible those aspects of the reign that are particularly daunting to the non-specialist. Like the original, this revised Caligula is intended to satisfy the requirements of the scholarly community while appealing to a broad and general readership.

There can be few historical figures who have made such a powerful impact on the popular imagination as the Roman emperor Caligula (died AD 41). Yet an accurate reconstruction of his life and reign largely eludes us. This is paradoxical. The source material is plentiful, even lavish, by the standards of antiquity. The problem lies not so much in the quantity of evidence available, but in its quality. For our information we are obliged to draw on ancient accounts that can be colourful and wonderfully entertaining but have a flexible notion of historical truth and often seem to border on fiction. The consequence is that there is hardly a detail that the modern historian can present without deep reservations about its reliability. A biography of Caligula, in the regular modern sense of the word, is an insurmountable task, and can be at best be a summary personal interpretation by an individual historian of a mass of incoherent and often inconsistent material. Where does this leave the serious general reader? This book approaches Caligula from a quite different angle, by presenting the reader with the raw material of the ancient sources. It provides over 300 translated passages of texts, taken mainly from ancient writers, but also from coins and inscriptions. The translations are accompanied by extensive introductions and notes. These are tailored to the non-specialist, and intended to help such readers navigate material that is often contradictory, sometimes downright incredible, and helps to place events and institutions in their historical contexts. The colourful and exotic incidents are still here, but are presented in a context that will help the reader gain a more sophisticated understanding of how scholars try to reconstruct events of the past. This approach allows the reader to tackle head-on the stark reality that what we read in our sources is not necessarily the truth.

This study uses recent archaeological, numismatic and historical evidence to reveal the character of Agrippina, a key imperial figure of classical antiquity. She was the sister of Caligula, wife of Claudius and mother of Nero. She attained a level of power unprecedented for a woman in first century Rome with a lifestyle which embraced treachery, incest and murder. Barrett assesses the historical and personal impact of Agrippina's marriage to the emperor Claudius and explores her relationship with her son, Nero, the monster of her own making. Anthony Barrett is also the author of "Caligula".

This study uses recent archaeological, numismatic and historical evidence to reveal the character of Agrippina, a key imperial figure of classical antiquity. She was the sister of Caligula, wife of Claudius and mother of Nero. She attained a level of power unprecedented for a woman in first century Rome with a lifestyle which embraced treachery, incest and murder. Barrett assesses the historical and personal impact of Agrippina's marriage to the emperor Claudius and explores her relationship with her son, Nero, the monster of her own making. Anthony Barrett is also the author of "Caligula".

Drawing on new archaeological evidence, an authoritative history of Rome's Great Fire-and how it inflicted lasting harm on the Roman Empire According to legend, the Roman emperor Nero set fire to his majestic imperial capital on the night of July 19, AD 64 and fiddled while the city burned. It's a story that has been told for more than two millennia-and it's likely that almost none of it is true. In Rome Is Burning, distinguished Roman historian Anthony Barrett sets the record straight, providing a comprehensive and authoritative account of the Great Fire of Rome, its immediate aftermath, and its damaging longterm consequences for the Roman world. Drawing on remarkable new archaeological discoveries and sifting through all the literary evidence, he tells what is known about what actually happened-and argues that the disaster was a turning point in Roman history, one that ultimately led to the fall of Nero and the end of the dynasty that began with Julius Caesar. Rome Is Burning tells how the fire destroyed much of the city and threw the population into panic. It describes how it also destroyed Nero's golden image and provoked a financial crisis and currency devaluation that made a permanent impact on the Roman economy. Most importantly, the book surveys, and includes many photographs of, recent archaeological evidence that shows visible traces of the fire's destruction. Finally, the book describes the fire's continuing afterlife in literature, opera, ballet, and film. A richly detailed and scrupulously factual narrative of an event that has always been shrouded in myth, Rome Is Burning promises to become the standard account of the Great Fire of Rome for our time.

The Roman Empire has always exercised a considerable fascination. Among its numerous colourful personalities, no emperor, with the possible exception of Nero, has attracted more popular attention than Caligula, who has a reputation, whether deserved or not, as the quintessential mad and dangerous ruler. The first edition of this book established itself as the standard study of Caligula. It remains the only full length and detailed scholarly analysis in English of this emperor's reign, and has been translated into a number of languages. But the study of Classical antiquity is not a static phenomenon, and scholars are engaged in a persistent quest to upgrade our knowledge and thinking about the ancient past. In the thirty years since publication of the original Caligula there have been considerable scholarly advances in what we know about this emperor specifically, and also about the general period in which he functioned, while newly discovered inscriptions and major archaeological projects have necessitated a rethinking of many of our earlier conclusions about early imperial history. This new edition constitutes a major revision and, in places, a major rewriting, of the original text. Maintaining the reader-friendly structure and organisation of its predecessor, it embodies the latest discoveries and the latest thinking, seeking to make more lucid and comprehensible those aspects of the reign that are particularly daunting to the non-specialist. Like the original, this revised Caligula is intended to satisfy the requirements of the scholarly community while appealing to a broad and general readership.

This essential document for the study of Roman history traces the story of Rome from Romulus and the foundations of Rome to the reign of the Emperor Tiberius. It is especially valuable to historians and students for its vivid eyewitness account of the dramatic years that saw the Roman Empire emerge from the chaos left by the shattered Republic. Rendered with the non-specialist in mind, the translation-the first English language translation in nearly ninety years-seeks to remain faithful to the original while avoiding technical and obscure jargon. The volume includes a substantial introduction to Velleius' life and times, and to the literary context of his historical work, as well as generous and detailed notes on the text, a bibliography, map, glossary of unfamiliar terms, and an index.

Nero's reign (AD 54-68) witnessed some of the most memorable events in Roman history, such as the rebellion of Boudica and the first persecution of the Christians--not to mention Nero's murder of his mother, his tyranny and extravagance, and his suicide, which plunged the empire into civil war. The Emperor Nero gathers into a single collection the major sources for Nero's life and rule, providing students of Nero and ancient Rome with the most authoritative and accessible reader there is. The Emperor Nero features clear, contemporary translations of key literary sources along with translations and explanations of representative inscriptions and coins issued under Nero. The informative introduction situates the emperor's reign within the history of the Roman Empire, and the book's concise headnotes to chapters place the source material in historical and biographical context. Passages are accompanied by detailed notes and are organized around events, such as the Great Fire of Rome, or by topic, such as Nero's relationships with his wives. Complex events like the war with Parthia--split up among several chapters in Tacitus's Annals--are brought together in continuous narratives, making this the most comprehensible and user-friendly sourcebook on Nero available.

Agrippina the Younger attained a level of power in first-century Rome unprecedented for a woman. According to ancient sources, she achieved her success by plotting against her brother, the emperor Caligula, murdering her husband, the emperor Claudius, and controlling her son, the emperor Nero, by sleeping with him. Modern scholars tend to accept this verdict. But in his dynamic biography - the first on Agrippina in English - Anthony Barrett paints a startling new picture of this influential woman. Drawing on the latest archaeological, numismatic, and historical evidence, Barrett argues that Agrippina has been misjudged. Although she was ambitious, says Barrett, she made her way through ability and determination rather than by sexual allure, and her political contributions to her time seem to have been positive. After Agrippina's marriage to Claudius there was a marked decline in the number of judicial executions and there was close cooperation between the Senate and the emperor; the settlement of Cologne, founded under her aegis, was a model of social harmony; and the first five years of Nero's reign, while she was still alive, were the most enlightened of his rule. According to Barrett, Agrippina's one real failing was her relationship with her son, the monster of her own making who had her murdered in horrific and violent circumstances. Agrippina's impact was so lasting, however, that for some 150 years after her death no woman in the imperial family dared assume an assertive political role.

'He was atrocious in his brutality, but his lechery was kept hidden... In the end, he erupted into an orgy of crime and ignominy alike' Such is Tacitus' obituary of Tiberius, and he is no less caustic in his opinion of the weak and cuckolded Claudius and the 'artist' Nero. The Annals is a gripping account of the Roman emperors who followed Augustus, the founder of the imperial system, and of the murders, sycophancy, plotting, and oppression that marked this period in Rome. Tacitus provides the earliest and most detailed account of Boudicca's rebellion in Britain, and his history also relates the great fire of Rome in the reign of Nero, and the persecution of the Christians that followed. He deplores the depravity of the emperors, whose behaviour he sees as proof of the corrupting force of absolute power. J. C. Yardley's translation is vivid and accurate, and Anthony A. Barrett's introduction and notes provide invaluable historical and cultural context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Livia-wife of the first Roman emperor, Caesar Augustus, and mother of the second, Tiberius- wielded extraordinary power at the center of Roman politics. In this biography of Livia, the first in English, Anthony Barrett sets aside the portrait of a cunning and sinister schemer to reveal Livia as a complex figure whose enduring political influence helped shape Roman government long after her death. "An excellent biography of Livia-as appealing to the general reader as it is satisfying to the scholar."-Colin M. Wells, Trinity University, San Antonio "In reading Anthony Barrett's biography of Livia, I not only learned about this remarkable woman, but also gained a meaningful appreciation of life and society in her time."-Howard Alper, President, The Royal Society of Canada "First-rate."-Mary Beard, Times Literary Supplement